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The itinerary starts from the square overlooking San Martino di Castrozza’s church in Via Passo Rolle.
Immediately striking are the stones motif and the double lancet windows of the old tower bell, going back to the XIII century: the only building left of the old medieval complex once standing on the Alpe di Castrozza meadows. Perhaps the green expanse saw the passing of Mesolithic prehistoric hunters, heading for the Colbricon lakes and following game tracks, and later of Roman troops heading north; we cannot rule out the possibility that the name Castrozza comesfroma small fort (castrum), built as a stopover and to defend soldiers and travellers.
Little below the church was built in Medieval times a ospitale, the St. Martin and St. Julian’s hospice, a sturdy building on several floors hosting a small religious community up to the beginning of the XV century. As well as enjoying a marvellous peace and quiet for their meditations, the community was assigned the task of giving free food and accommodation for a few days to mountain people passing by, merchants and pilgrims who braved the Rolle pass; a section of the mountain track, before and after the hospice, was sure to be open in winter.
The dedication of the church and hospice to St. Martin, as well as St. Julian, underlines a vocation to welcoming and assisting travellers and points out at established contacts with the Belluno and Feltre areas: the building complex on the Alpe di Castrozza marked the north border of the Feltre diocese.
To bear the costs of hospitality the monks relied on charity. In a few decades, starting from the XIII century, the hospice received many donations and turned into an extraordinary centre of spiritual aggregation as well as an independent institution, with estates in Primiero, in Val d’Adige and the Feltre area.
When the monks left the Alp, there followed a long period of
troubled times for the institution, with the feudal vassals, Counts
Welsperg, taking advantage of it. The Pusteria family settled in
Primiero in 1401, and devoted a good part of the following century to
put their authority in place of the bishop’s over the St. Martin and
St. Julian’s priory. In 1630 something extraordinary happened in the little church. Two vice-prior’s servants gave this testimony: “on
the wall over the church vestry’s door we saw several times a picture
of the Holy Shroud with two beautiful angels holding the shroud, and
then everything went back to the way it looked before, with nothing to
be seen on the wall”. That June a solemn procession was organized,
with the participation of about 600 people: Christ on the Cross, St.
John the Baptist and St. Barbara also appeared on the wall.
All
these figures oozed water and it was perhaps the excessive dampness to
make transparent the whitewash covering the paintings.
(Watercolour by L. Harrison Compton, from Reginald Farrer’s book, The Dolomites, 1913)
Following from the church the Via Val di Ròda and descending along Rio Pez Gaiart, we can see the old stone bridge to the hospice.
1780 marked the end of the famous St. Martin’s Fairs:
religious as well as profane celebrations held on the Alpe di
Castrozza, with participating noblemen, local burocrats, craftsmen,
peasants and the great multitude of the Primiero poor. What most
interested them was the free food, probably in memory of the priory old
hospitality duties.
Let’s hear from the fresh prose of Angelo Michele Negrelli what usually happened: “when
mass was over and all the people had come out of church, one of the
servants would shout loudly: «if you want to eat, eat»; to which
everybody would throw themselves on the vats, eating like hungry
wolves; the vats never were completely empty and the poorest people,
taking off their shirt sleeves and knotting up the end, would empty the
vats and what was left into them, keeping the dried beans in the
sleeves and taking them home”.
(Travellers with Alpenstock at the St. Martin’s hospice)
Back on Via Passo Rolle, we follow it down a gentle slope and
over the bridge on the Cismón torrent, then we go up to the right along
Via Dolomiti, continuing into Via Cavallazza. Shortly after we reach
Pra’ delle Nasse.
This large grassy expanse was, a long time
ago, originally a lake. Looking at it from a vantage point you realise
that it has two parts: the one nearer to the village has been modified
by man with regular drainage channels, to obtain a meadow for pasture
and forage, while the other one – closer to the wood – still keeps its
original looks. It is a natural peat-bog formed over
porphyritic rocks, where half decomposed plant material has been
depositing for a very long time, to make a layer of peat about 2 metres
high. The Rio Brentèlla waters run across the place, making up a
thousand streams, before coming out of the peat and flowing into the
Cismón torrent. In these small natural streams and ponds the monks of
St. Martin’s used to drop small and large nasse, long wicker baskets, to catch the excellent trout inhabiting these waters.
Starting in the Twenties, many attempts were made to exploit the peat
as fuel for the hotels and to make a little lake cover the area, until
the Trento province – with a law dated 1986 – ruled that the remaining
“marshland” was to be protected for its special character and called Prà delle Nasse biotope: protected marshland area because of its specific, characteristic flora and fauna.
Following the road for Malga Cés, we take the first turning on the left: we can then walk on an historical ring around the biotope, called “small O” because of its circular shape and already described in the Trentino guide by Ottone Brentari in 1895. We can thus follow on the steps of the first tourists to the area.
(Up to the right, what was left of the peat-bog in the Thirties)
In 1862 J. Gilbert and G. C. Churchill were the first travellers to
pass through San Martino and to describe their adventurous excursion in
the guidebook The Dolomite Mountains. Their report was to inspire a few years later Leslie Stephen, one of the founding members of the Alpine Club in London, to reach Primiero and to climb alone to the Altopiano delle Pale.
Intimidated by the almost vertical walls, he wrote that nobody could
possibly climb those peaks. But in June 1870 another Englishman, Edward
Whithwell, conquered the top of Cimón della Pala. The Group climbing
discovery had thus started.
After a four hours ride from
Primiero, the travelling Englishwoman Amelia B. Edwards arrived in 1872
at the esplanade in front of the small church and old hospice, but she
was unpleasantly surprised: ...now part of the big building, all
dirty and in ruins, all that remains of the old monastery, is used as a
malga, and another part of it has been turned into an inn. There
was an atmosphere of neglect and decay in every corner of the old
priory, marking the decline of the feudatory power, a foreboding
perhaps of the end of the Primiero branch of the Welsperg family, which
occurred in 1907. The signs of decay were everywhere: …the portraits of members of the old Welsperg
family, now dead for centuries, hang awry from the walls or are heaped
up in the corners, covered in cobwebs and in the dust of time.
It’s quite surprising to read in the SAT (Society of Trentino
Alpinists) magazine of 1874 that next to the run down hostel an
inviting mountain hotel had been built in a short time, bearing the
predictable name of Albergo Alpino.
(L. Stephen, father of Virginia Woolf and author himself of the book The Playground of Europe)
As we enter the village on our way back, we can see the hotels lined up in front of us.
The man responsible for the transformation of the old priory from
uncomfortable hospice to comfortable mountain hotel was Leopoldo Ben –
the structure administrator - who understood the area’s potential for
development. In 1883 he called to San Martino Hermann Panzer, born in
Leipzig and with a great experience in hotel management. In twenty
years of painstaking work he changed the Albergo Alpino, offering just
25 beds, into the more capacious and sophisticated Hotel des Dolomites.
The medieval priory building was also turned into a hotel for less
demanding customers. Ben and Panzer’s intuition was a winning one and
within a few years the new Hotel des Dolomites
could accommodate even the most difficult guests. They were members of
the aristocracy and the middle European bourgeoisie, attracted by the
presence of the beautiful Pale di San Martino, and they expected an
arrangement to suit their rank: sophisticated food and service, wide
rooms, reading rooms with books and magazines from their own countries,
ball rooms and concert rooms... Many were just trekkers, but numerous
were also the pioneers of climbing. They found a young man from
Primiero, working at the priory, and willing to accompany them on the
hardest climbs: Michele Bettega. He decided to concentrate his efforts
on the new alpine guide job and in 1886 managed to start up on his own;
other young men from Primiero soon followed. In 1892 the Berlin Baron
Theodor Wundt was enthusiastic about the San Martino alpine guides and he wanted all four of them to accompany him on the Cimón climb, later celebrated in his book Die Besteigung des Cimone della Pala.
Thanks to the promotion received by Wundt’s guidebooks, but especially
to their professional standards, Michele Bettega, Bortolo Zagonel,
Antonio Tavernaro and Giuseppe Zecchini made a name for themselves
internationally.
(The four alpine guides immortalized by Wundt. In 1883 climbing the Cimòn della Pala would cost 18 florins, while ordinary excursions would cost 3 florins a day)
The Cimone, after capturing the attention of travellers and
alpinists from mid XIX century, became later the natural catalyst of
literary attention from some of the resort guests.
To Else, young protagonist of the homonymous novel by Arthur Schnitzler set in San Martino, the Cimone appears like an imposing ghost, immersed in a decadent atmosphere: …sinister and gigantic, the Cimón
looks like it’s going to fall on me! Not a star in the sky. The air is
like champagne. And the scent coming up from the meadows! In the
famous monologue by Schnitzler the whole Alpe di Castrozza lends itself
to reflect the terrible inner strife that will lead beautiful Else to
suicide: meadows, mountains, woods and the very hotel, hosting the
European guests, become the enchanting background to a ruthless
blackmail.
Perhaps the fine Viennese writer had not forgotten a
comment made by the travelling Englishwoman Amelia B. Edwards, who in
1872 wrote in her romantic “Untrodden peaks and unfrequented valleys” about this mountain: …the
shape is that of a pharaonic tomb, with that pyramid pinnacle on the
top. The vertical fissures are so terrifying that it looks as if they
are going to open wide any minute ...even the Mattherhorn (Cervino) does not makes us feel so small and inspire such a sense of fear and dismay.
(From Passo Rolle towards the Pale’s north side)
Just after the Daulaghiri bridge in Via Angelo Mott a peculiar building lines up against the sky: the old lime-kiln.
On
25 May 1915, after Italy declared war to Austria, the resort of San
Martino found itself close to the front line. The Austrian army, taken
by surprise and with few men available to guard the new south front,
abandoned the whole Primiero valley to organize a safe defence line on
the Lagorai chain. The priory, stalls, malghe and the
prestigious San Martino hotels were set on fire: they could not be left
intact in the hands of the advancing Italian army. Smoking ruins
welcomed the Italian patrols and close to the remains were built wooden
barracks and ammunitions dumps. Only the church – enlarged in 1911 –
and the old lime kiln were still intact and high.
Long years of
war followed, marking the mountains above San Martino: Cavalazza,
Tognazza, Colbricón. The guide Michele Bettega took Italian squads up
the Pale, and when the Austrians came back to the valley - after
Caporetto’s defeat – paid dearly for the services rendered to the
Italian army.
In the centre of San Martino there still remains as a special monument the lime kiln built
in 1911 to make lime used in building and enlarging the hotels and the
other tourist facilities. A construction which always had a troubled
life: already in 1912 many complaints were coming from the nearby
hotels, to stop the emission of fumes, and from Vienna finally arrived
the order to suspend any activity from June till September every year.
It is also said that Italian soldiers took it for an Austrian fort, and
fired on it. After the war, it was decided to definitely close it down.
(The ruins of the Hotel des Dolomites and of the old hospice (right) during the First World War. The hospice was not rebuilt after the war, and there is now a wide park in its place).
In the summer of 1920 the 21 years old Günther Langes, a war veteran
with a good climbing experience gained in the Dolomites, was wandering
near San Martino, sleeping in improvised shelters among the ruins of
the Alpenrose Hotel (now Palazzo Sass Maor), built by his
mother Lina Langes twenty years before. The war had completely
destroyed the village but young Günther strongly willed to give all
climbers one of the most spectacular climbing routes in the group: the Spigolo del Velo
(the veil’s edge) on the Cima Madonna. The Ampezzo guide Angelo Di Bona
had already tried the route unsuccessfully before the war, but now our
young man could count on the help of expert Erwin Merlet. After a first
attempt, half way through a rainy July, at the second attempt the
Spigolo was conquered, with a lot of difficulties and acrobatic
passages, and on the way back they had a chance to look at the route
just covered: …the darting eyes follow the shape of the mountain
that for three days meant fight and happiness to us. No longer a route
to conquer, it has become an achieved target.
Another
protagonist of the Pale was Ettore Castiglioni: his relationship with
the mountains was marked by an intense activity; in the summer of 1934
he set up 30 new routes in the group, in preparation for the Pale
climbing guidebook commissioned to him by the Touring Club.
For Castiglioni it was a unique season, the season of his full climbing
maturity, crowned by the overcoming of a VI degree on the south-east
edge of Sass Maór.
(Sass Maór and Cima Madonna: theatre of many climbs by Langes and Castiglioni)